LONDON FASHION WEEK SPRING/SUMMER 2026: DAY 2

KEBURIA
review by ANANO SHALAMBERIDZE

all images KEBURIA provided by the brand

Georgian designer George Keburia’s return to London was bigger and sharper. In a theatrical venue where guests faced a stage rather than a runway, Keburia unveiled a fantasy lineup of characters, Victorian heroines, military figures, and sci-fi avatars collapsing past and future into a single wardrobe. Deemed a “wardrobe of time-travellers,” the collection still dressed the archetypal Keburia woman, modern, witty, and a little irreverent.

Styled by Jeanie Annan-Lewin, the contrasts were striking: knee-high lace-up boots with mini tutus, graphic polos paired with Napoleonic jackets. Yet beneath the escapism, Keburia remained political and patriotic, closing with a look that turned the Georgian flag into basketball shorts.

DI PETSA
review by DOMINIKA GŁOWACZ

all images DI PETSA via vogue.com

This year’s collection was titled “The Archeology of Self” — a theme that felt mythological yet deeply connected to history and tradition. As always, Dimitra Petsa’s signature wet-look pieces were present, but this season she also introduced more wearable, everyday looks in response to fans’ requests. Alongside those, there were breathtaking, almost sculptural creations that felt like works of art destined for a museum. We also saw playful, deconstructed T-shirts with slogans like “Angel of Athens” and “Imitation Poseidon”, perfectly in line with the theme.

The makeup was blushy and glowy - a sun-kissed effect perfect for warmer weather. Models looked as though they had been basking in the sun all day, with details like hair and even knees coated in mud, giving the impression of emerging straight from the earth or sea. The entire collection radiated goddess energy. Accessories were just as striking, with seashells appearing in many forms,  from oversized shell-shaped bags to delicate necklaces, sometimes even incorporated into the garments themselves. Pearls and Greek symbols adorned clothing, amplifying the mythological mood. The show opened with a Greek model in wings covered in mud and ancient motifs, accessorized with dazzling gold pieces, a truly eternal vision. There was also a playful hat designed to look like a sandcastle, and even a bag resembling one, adding a touch of whimsy.

To me, the models looked like sea goddesses who had risen from the waves to mesmerize us with their presence. This year’s collection offered incredible variety, from everyday wearable pieces to ethereal showstoppers for special occasions. The finale brought all the models together, standing in formation and moving gracefully to otherworldly music, leaving us with a lasting impression of beauty and transcendence.

MARK FAST
review by DOMINIKA GŁOWACZ

all images MARK FAST provided by the brand

The newest collection from Mark Fast is best described in his own words: inspired by time spent at the beach, observing objects carried away by the ocean, the resilience of sea glass, and a touch of romance. As a knitwear expert, Mark showcases his mastery in this year’s collection. When I asked about his favorite knitwear technique this season, he highlighted the chain-ride detailing, a method that ties the pieces together much like the ropes and knots you find along the seaside. It brings both structure and stretch, something evident across the collection, from two-piece sets to beautifully sculpted dresses. Alongside the structured designs, we also see flowing dresses reminiscent of summer beach walks at sunset, effortless, romantic, and free. The color palette leans into muted yellows, creams, soft nudes, and delicate pale pinks. Each piece balances strength and confidence with a delicate, fluid form, creating siren-like silhouettes.

When I asked Mark if he had a favorite piece, he admitted that while every look feels like his “baby,” he is especially fond of a pale pink shell necklace with fringes, paired with a matching flowing dress. It’s a dreamy combination that perfectly encapsulates his seaside inspiration. The makeup followed the same theme, soft, sudden, and glowy, just like the golden light on the beach.

I also had the privilege of going backstage. While one might expect chaos behind the scenes, the atmosphere was surprisingly calm. Yes, there were last-minute retouches and quick outfit changes, but Mark’s soothing and grounded energy seemed to keep everyone relaxed and focused, adding to the excitement for the show. Watching the collection unfold felt like being transported to a seaside holiday, where every outfit belonged in a suitcase destined for the beach. Still, not everything was soft and romantic - there were bolder looks too: a sharp black suit, a crochet body paired with long fringed trousers, and a flowing black set perfect for a candlelit dinner by the sea. These pieces kept the coastal spirit alive while offering a refined evening alternative. Mark Fast’s collection is both a love letter to the ocean and a celebration of resilience, beauty, and confidence.

CHOPOVA LOWENA
review by ANANO SHALAMBERIDZE

all images CHOPOVA LOWENA via vogue.com

The colourful, loud, and gloriously chaotic duo Chopova Lowena made their much-anticipated return, welcome to game day. Known for their cult carabiner skirts and relentless play with colour and construction, the brand continues to remind audiences of what makes London fashion special in this post-Covid, post-Brexit climate.

Their SS26 collection, *Cheerlore*, was an all-out sensory feast. The venue, a school church, was transformed with flashing screens, furry mascots handing out chips, and remixed Bulgarian folk chants booming alongside dub and jungle beats. The air smelled of the brand’s perfume. Joy was inescapable, even a three-year-old sat front row.

Looks came tumbling down the runway like hyper-saturated cartoons: tiered dresses, striped leggings, frilly details, tinsel hair, Karakachani jewelry, zip-off layers, hoodies, and more. Maximalism at full throttle, but with plenty of standalone gems for those less inclined toward the “everything, everywhere, all at once” approach.

NATASHA ZINKO
review by ANANO SHALAMBERIDZE

all images NATASHA ZINKO provided by the brand

Ukrainian-born Natasha Zinko has never shied away from provocation, last season it was post-surgery bandages and “Who’s your surgeon?” caps. This time, she turned her gaze on the doom of modern life, the screens we’re addicted to, the endless stream of content, and the repetition of aesthetic clones.

The show took place at The Box, Soho’s infamous “nocturnal cathedral of carnal cool.” With no runway, guests crammed shoulder-to-shoulder, tossing fake banknotes at models as Tommy Cash opened the show. The collection embodied the wreckage of a night out: cigarette tiaras, torn tees, matted hair, bras slipping, sunglasses indoors. Zinko seemed to urge: embrace the chaos. “Yes, my heels hurt so I changed into flip-flops. Yes, my dress is sliding off. Let them see.”