IN CONVERSATION WITH BORIS BREJCHA
interview by JANA LETONJA
Globally renowned DJ Boris Brejcha will be one of the headliners for the final show of Labyrinth’s Open Air 2025 Summer Series at Tofte Manor on 5th July, where he is set to deliver an unforgettable performance in one of the UK’s most unique festival settings. Known for his enigmatic Joker mask and innovative sound, Boris continues to push boundaries in electronic music. His recent accomplishments include the release of his tenth studio album and a spot in DJ Mag’s Top 100 DJs, reaffirming his status as one of the most influential figures in the industry.
You’ll be headlining the final show of Labyrinth’s Open Air 2025 at Tofte Manor this July. What excites you most about this particular venue and event?
Tofte Manor is such a special place. I love playing in spaces that feel connected to nature and history. The idea of closing out the summer series there just feels epic.
Tofte Manor is known for its sacred labyrinth and unique vibe. How does the setting of a show impact your performance and energy?
The setting absolutely influences the vibe. When you’re surrounded by something as mystical as a labyrinth, it naturally pulls you into a different headspace. I feed off the atmosphere and energy of the crowd, and places like this heighten everything.
Can you give us a sneak peek into what your fans can expect from your set at Tofte Manor?
Let’s just say it’ll be a journey. I’m planning something exclusive, some unreleased music, surprises with the visuals, and a proper sonic experience that matches the magic of the location.
How do you prepare for open-air festivals compared to club gigs or indoor shows?
Open-air shows give you more space to build a narrative. I usually adapt my set to flow with the environment—more melodic builds, longer transitions. Visually, the production also changes. It’s all about scale and storytelling.
You’ve recently released your tenth studio album. How do you feel your sound has evolved since your beginnings?
It’s been a wild ride. My early work was more minimal and raw. Over the years, I’ve embraced more melody, emotion, and detail in my productions. I’ve learned to balance complexity with groove.
You’ve played legendary stages like Tomorrowland and Cercle, with millions tuning in. What’s been your most memorable performance so far?
That’s tough. Cercle was unforgettable, the scenery, the drone shots, the energy. But Red Rocks recently was also next level. Every crowd gives something unique, but those moments where time seems to pause, they stay with you.
Making it into DJ Mag’s Top 100 again must be rewarding. What does that kind of recognition mean to you at this point in your career?
It’s always an honor, especially because it comes from the fans. But for me, the real reward is the connection with people through the music. The ranking is just a bonus.
After nearly two decades in the scene, how do you stay inspired and keep your sound fresh?
I try to keep a beginner’s mindset. I explore new tools, collaborate, travel, and most importantly, I still just love making music. That excitement hasn’t gone away.
There’s a lot of buzz about AI in music right now. As a producer and live performer, what’s your take on how it’s shaping the industry?
AI is powerful, no doubt. It can speed things up, offer new textures, but at the end of the day, emotion is human. I see it as a tool, not a replacement. It’s exciting, but we have to stay true to the soul behind the sound.
The rise of boutique festivals like Tofte Manor seems to reflect a shift in the scene. Why do you think audiences are drawn to more intimate, curated experiences?
People want something deeper now. It’s not just about big stages and fireworks, it’s about connection, atmosphere, and discovery. Boutique festivals deliver that in a way that feels more personal and immersive.
Your Joker mask has become iconic. What does it represent to you and what made you choose it as your signature?
The mask started as a way to stand out, but over time, it became a symbol of freedom for me. It lets me perform without ego. It’s not about the face, it’s about the music. And of course, it keeps things a bit mysterious.
Off-stage, who is Boris Brejcha? What grounds or inspires you outside of music?
I’m a pretty calm person. I love nature, spending time with people close to me, and just taking quiet moments. Inspiration often comes when I’m not looking for it, on a walk, watching a film, or just sitting in silence.
CREDITS:
photography FLORIAN SCHMITT