IN CONVERSATION WITH TE AO O HINEPEHINGA

interview by JANA LETONJA

Polynesian (Maori) actress Te Ao o Hinepehinga will be starring in the highly anticipated Apple TV+ series ‘Chief of War’, releasing on 1st August. She made her television debut in a guest star role as Gina in the miniseries ‘Black Hands’. After quickly gaining recognition, she landed a series regular role in the popular series ‘Head High’, and can most recently be seen playing the lead role as Mai in the series ‘Breakwater’.

Congratulations on your role as Kupuohi in ‘Chief of War’. What was it like stepping into the shoes of such a powerful historical figure?

Absolutely terrifying, and the greatest gift I have ever recieved. What an incredible honor to share in this journey with Hawai’i. Our Kanaka brothers and sisters have changed the history in indigenous storytelling and it is one of the highest honors I have received, to have played a small part in their journey.

The series tells the story of the Hawaiian Islands’ unification from an indigenous perspective. What did that mean to you as a Māori woman and indigenous activist?

As a Māori actress, there is no greater moment than to witness your Polynesian whanau (family) making history. There are few firsts left in this world and to be lucky enough to not only witness, but be part of that journey, I could not be prouder to be Polynesian in this moment. Hawai’i has redefined what it means to tell indigenous stories on a global stage. Mā tini mā mano ka rapa te whai, which means “By many, by thousands, the work will be accomplished.” Hawai’i has continued that work and I look forward to seeing what comes from it.

Were there any moments during filming in Hawaii that felt particularly spiritual or grounding for you?

There was a moment when we relocated to Hawai’i Island (Big Island) to film a battle that took place during a volcanic eruption. The evening we landed to film, Mauna Loa actually erupted, for the first time in 75 years. It was as if Pele herself had awoken to say “This is my story and I am here”. It was a reminder that our tipuna and atua were watching and guiding the journey of this production and that brought me great comfort because I knew they would keep us true to the mission of this production.

What does it mean to you to be part of a series like 'Chief of War', which centers and honors native voices?

As Taika Waititi said in his Oscar winning speech, “We are the original storytellers.” Indigenous people around the world have kept their history and culture alive through traditional storytelling. To take that tradition and bring it into the new medium of storytelling, while maintaining it’s authenticity, that is no small feat. This is the result of several generations of indigenous people around the world, fighting to maintain our traditions. It is because of them we stand here today and it is for them that we will continue to bring more indigenous stories to the world.

What aspects of Kupuohi’s character resonated with you most personally?

It’s hard to pick one. Kupuohi spoke to me the moment I read the script. She was a raw and honest representation of what a woman is—strength and softness, leadership and guidance. She reminded me of the women who had raised me and the woman I hope to become. The silent leaders of the world, holding space for any and all who needed it. It was an intimidating role to fill, but one that taught me many things about myself and the world around me. 

From Latin dancer and showgirl in Australia to lead actor in major series, what inspired that shift in your performance journey?

Dancing was actually the detour. My mum was a breakdancer so I grew up around music and dance. But it was acting that captured my soul. Acting was what I always set out to do. In saying that, I’ve always believed that any opportunity that presents itself is one worth exploring and I’m so glad I did. My years working as a dancer were some of the best moments of my 20s. I learnt a lot about myself in those years and I like to believe it’s made me a better performer overall.

You trained at NASDA in music theatre. How has your musical and dance background influenced your acting style?

It’s become a part of my routine. Music is such a beautiful way to experience the world and so when I build characters, I make playlists for them. Something I can listen to to get in the vibe and find my flow, regardless of what’s going on around me. It’s also helped me check out and leave the characters at work. I’ll always add a few dance tracks or music theatre numbers to the end of the playlist to bring me back to myself. 

You speak both Māori and French. Have your language skills opened up any unique opportunities in your acting career so far?

Te reo Māori is becoming more and more prevelant in the TV and Film space here in Aotearoa so I find myself speaking it often when I’m working on local productions here at home. But I have yet to find use for French. Just you wait though, one day my French will be good enough, they might let me in the room where French Cinema is made. I’d like to at least try, I love a challenge.

You’re a founding member of ICAN. Can you tell us more about the workshops you run and why they matter, especially in places like Hawai’i?

ICAN came from a promise I made to someone when I said yes to 'Chief of War'. Taking on this role wasn't simply a job to me, it was a commitment to uplifting and supporting my Hawaiian cousins across the way. I didn't know what that looked like at the time, if anything, the idea found me. Like the 'akua heard my promise and set me on the path to meeting Angela Laprete, Brian Keaulana and Robert Suka so we might see that promise become something. ICAN was what came out of that meeting of the minds, a space that would support indigenous artists on the 'aina and provide them with more tools to build on what 'Chief of War' has done. I'm proud of the work we've done together and I look forward to seeing what they do in the future.

What’s your hope for how indigenous-led stories like this series will influence the global entertainment landscape?

I hope it redefines how we approach these stories. 'Chief of War' has made a huge leap in creating that change and I hope it emboldens more people to share their culture and history with the world in positive and creative ways. Not only that, but lead that process. Because as 'Chief of War' has shown us, there is no better person to tell a story then those who have lived it.

When you’re not filming, you enjoy yoga, weightlifting, swimming, and even gardening. What’s your favorite way to unwind after a long shoot?

Home. It’s cliche to say home is where the heart is, but that truly is where my heart lies. No matter how long or short a project, the first thing I do is go home and spend time with my family. It grounds me to be surrounded by my people, my bare feet on the ground and my nieces and nephews around me. They remind me who I am and what really matters when all is said and done. 

Looking ahead, what kinds of roles or stories are you most excited to pursue next?

I’d really love to try my hand at a feature film. Something wild and unexpected, step away from the indigenous space and just tell a really cool story. Or maybe I’ll return to my roots and make my way to Broadway? Honestly, I never expected to get this far so I’m open to everything. I’m curious to see what else I can do. 

CREDITS

photography ROBERT TRATHEN