BEHIND THE SCENES OF HENRIK VIBSKOV BY ALEXANDRE BANGOURA

It’s no surprise that Danish designer Henrik Vibskov is a visionary whose work extends far beyond the realm of fashion. Once again, he hasn’t missed the opportunity to create a charged, emotional atmosphere for his SS26 show — which felt more like a performance art piece than a show. Repurposed elements from previous collections and installations in New York and Guangzhou came together in what felt like a tableau imprinted with feelings. Yellow structures and mysterious black eggs — crafted from isomalt, a material chosen for its ability to be reused — were scattered across the floor. A harmonica marked the beginning of the show, while caretakers slowly started their ritual. Some dusted the eggs, others cracked and gently replaced them, while a few leaned in, as if trying to listen to them. "Everything cracks eventually — I’ll be gentle" wasn’t just the title of the collection, but also a soft, poignant reminder — one that feels especially timely in today's world.

Inspired by Vibskov’s recent project “The Bank Is Dead” in New York, the SS26 collection explored the layered theme of protection: what it means, what’s truly worth safeguarding in these turbulent times, and how we protect the values we hold dear. Emerging from the central concept of “Prot-egg-tion,” the garments brought the narrative to life. The silhouettes were inspired by everyday items used to shield and preserve — from suit covers and instrument cases to protective furniture wraps. Coats resembled garment bags, and voluminous dresses echoed the curves of a double bass case. Through the use of natural and musical motifs — including instrument-case impressions on denim and intricate jacquards — Vibskov reconnected us with the importance of care, memory, and resilience.

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ORPHIC’S MISSION: ART, SAFETY, AND REPRESENTATION

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STEP BACKSTAGE OF BAUM UND PFERDGARTEN BY ALEXANDRE BANGOURA