IN CONVERSATION WITH JONAS BLUE

Interview by Samo Šajn

Following the success of Edge of Desire, Jonas Blue is entering a new chapter in his career. Known for global hits and huge festival sets, he is now focusing more on club-driven sounds and a deeper connection to the dancefloor. With new music on the way, a US tour, and another summer at Hï Ibiza, Jonas talks about growth, inspiration, and what excites him most about this next phase.

Edge of Desire has been such a big record, did you expect that kind of reaction when you made it?

Honestly, you never fully expect that kind of reaction. When I made “Edge of Desire,” it felt special, but you can’t predict how people will connect with it. Seeing it resonate globally has been incredible.

You’ve had huge crossover hits in the past, what made you want to shift your sound more towards the club again?

I think it was a natural evolution. I’ve always had roots in dance music, and over time I felt the pull to go deeper into the club space again. It’s where I started, and it feels authentic to where I am creatively right now.

How would you describe this new chapter of your career in your own words?

I’d describe this chapter as more intentional and more connected to the dancefloor. It’s about pushing my sound forward while staying true to my core.

Madan has a really personal story behind it, what drew you back to that track after all these years?

“Madan” has always had a special energy. The story behind it and the cultural influence really stayed with me. Bringing it back felt like the right moment to reinterpret it for today’s audience.

When I was 12 years old, I discovered “Madan” by Salif Keïta, remixed by Martin Solveig, in a London record shop. It became part of the soundtrack to my life, influencing my sets and productions ever since. When I was asked to create a new version, it meant so much to me that it initially felt untouchable. But once I received the original session stems, everything changed. There were beautiful, unheard parts from Salif and his band that never made it into the remix the world knows. It felt like uncovering a hidden treasure that I had to share with the world.

Has your process in the studio changed recently, or is it more of a mindset shift?

It’s a bit of both. Technically, I’m always refining my process, but more than anything, it’s a mindset shift. I’m focusing more on feeling and less on overthinking.

You’ve been part of the Ibiza scene for years, especially at Hï Ibiza, what keeps you coming back every summer?

There’s just nothing like Hï Ibiza. The energy, the crowd, the culture — it’s unmatched. Every summer feels like a reset and a chance to connect with people from all over the world.

Do you think your audience is changing as your sound evolves?

Yeah, I think it is evolving. As my sound shifts more towards the club, I’m seeing a slightly different audience come through, but it still feels like a natural progression rather than a complete change. My original fans will always stay with me.

When you’re testing new music live, what kind of reaction tells you a track is really working?

It’s all about the energy in the room. When you see that instant reaction — people moving without hesitation, that real connection — you know the track is working.

With such a busy touring schedule, how do you stay inspired and avoid repeating yourself?

I stay inspired by constantly listening to new music, collaborating, and experiencing different crowds around the world. That variety keeps things fresh and stops it from becoming repetitive.

Looking ahead, what are you most excited about in this next phase?

I’m excited to keep pushing this sound further and exploring new creative directions. It feels like a new chapter, and there’s a lot more I want to say musically. My next track, “Girl,” is out May 29. I had so much fun making this one — maybe the most fun I’ve had making a track in a while — and I’m really excited to share it with everyone.

 
 
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